Ready: Why Women are Embracing the New Later Motherhood

Hardcover US $37.50
Paperback US $12.47

You can purchase this book at the following retailers.

recent posts

upcoming event

November 22, 2016
MSA, Pasadena Session:
Archive, Canvas, Stage: Extraliterary Dynamics of Modernist Performance Paper: “Is Ray Johnson Marianne Moore?: Dialogic Celebrity”

January 2017
MLA, Philadelphia: "Aging & Fertility in Poetry and Prose, a Cross-Disciplinary Reading"
Table Talk 2017, Hilton Americas, Houston

March 22, 2017
Table Talk 2017, Hilton Americas, Houston

• view all events


About this book  •  Read an excerpt  •  read reviews

Quotation and modern american poetry

About this book

Why did quotation come into vogue among modernist American poets when, historically, allusion had been the preferred mode of intertextual reference? Elizabeth Gregory argues that quotation served as a site of these poets' struggle with questions of literary authority and, relatedly, of cultural and gender identity. While different poets quoted very different kinds of texts to very different effects, their shared reliance on quotation suggests their commonality of concerns---concerns that continue to be of interest in the postmodern world, where quotation remains a prevalent artistic mode.

Gregory reads the efflorescence of poetic quotation as part of an attempt to redefine the sources of authority in the modernist world, in which traditional hierarchies of all kinds seemed to be disintegrating. For Americans and for women this breakdown offered an opportunity, since they had long occupied a secondary position in the reigning cultural and gender orders. But it was an opportunity with a cost, and not all poets welcomed it.

Through close readings of T. S. Eliot's The Waste Land, William Carlos Williams' Paterson, and a selection of the poetry of Marianne Moore, the author explores the spectrum of modernist response to these issues and the ways in which each poet used quotation to establish a very different position of authority for him or herself.

About this book  •  Read an excerpt  •  read reviews




© 2016 Elizabeth Gregory, all rights reserved.